It's likely to assume most "dedicated" hardstylers are also the biggest critics, but in reality the crowd that doesn't care is usually the biggest critic. However I don't intent to hate on anyone, I just dislike the way the trend is setting lately. Another reason for that is because I do NOT like commercial house, and it frustrates me a lot whenever I see a big hardstyle producer remix a track from a house producer I never heard of.PNXRMX wrote:Everyone always takes the negative stance vs producers and djs, as though they're your enemies and you want to take them down at any possible opportunity. Maybe, producers make house bootlegs because they actually LIKE the track and want to create a version playable in their hardstyle set. Do you really think that Zatox's thought process is: "I know what will make me rich and famous! Epic with different kicks!"?
And I assume Zatox just did a Dj Tool, yes of course but I was judging the final sound of it, maybe not the best thing to include Dj tools in the opening post, for that point I'll take back mentioning it.
Certainly, but,from a dj point of view, maybe you want to create that epic crowd moment that you can only achieve with a tune that everybody knows?
An unfortunate thing, but:It just so happens that the sound from house/bigroom/trance/pop fits with the current hardstyle sound better, which makes sampling/bootlegging/remixing a whole lot easier.
This is what i'm aiming for yes, thank you for agreeing with me.there are a fuckload of hardstyle producers, so pretty much every bootleg imaginable is going to get made by someone. The problem is that there is 'too much' of one type of track, but that's an inevitable consequence of humanity.