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compression on leads?

Sound design and production in general
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TJOAudio
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Re: compression on leads?

Post by TJOAudio »

My god. You over think things. Try it, sounds good? keep it. It deosnt sound good? Get rid of it. Rocket science at its finest.

Euphorizer
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Post by Euphorizer »

EpidemicBlack wrote:Groundhog thread...

As I've said a million times, compression is essential in Mixdown, read up on compressors and how to actually use a compressor instead of throwing one on a strip and clicking a preset.
Code Black wrote:There's no real need to compress your leads sounds, you can if thats something you want to do, but its not necessary i find in the way that i mix, as everything gets squashed in the end mastering anyway.
Compression may perhaps be essential for mixdown, but definitely not for leads. If you're going to follow any advice, pick Seit's advice. The rest I would discard, because, as Seit pointed out, it's just over thinking imo.

EDIT: The CB quote is not from a forum post, but a friend of mine messaged his fanpage and asked a bit about his take on lead synthesis, and this is, amongst some other stuff, what he said.

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UNIFITE
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Post by UNIFITE »

Well no matter how we toss and turn it this is what we can make as a conclusion:

If your lead sounds better with a compressor - use it.
If it sounds worse - Dont.

Just with every other thing regarding music. Some sounds needs reverb - others does not.

Soundphase
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Post by Soundphase »

EpidemicBlack wrote:
Soundphase wrote:
EpidemicBlack wrote:
Personally, I think this is a bad choice. But entirely up to you :)
reason being?
A limiter will squash the lead, no dynamics
you have a point that with a compressor you have control over the compression ratio. I just liked to use a limiter because you could visually see the peaks and that way it's easy not to overdo the threshold reduction.
Purpose, thou art the compass.

hslover
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Post by hslover »

i have to add something by myself. I thought about it too and when i saw audiotreq masterclass about making kick he seed: "compression on leads?...yes" but not always. Like seed UNIFITE..try it and listen:)

jontah
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Post by jontah »

I'm thinking of compression on leads like this:

if it's badly mixed and way too high, or 1 supersaw is kind of taking over, I put a compressor on for glueing the 2-3 sounds together and making them consistent in volume, is that wrong?
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ljk32
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Post by ljk32 »

Alternatively, you can have not badly mixed leads in the first place. Compression isn't going to fix that.

Keletho
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Post by Keletho »

I never compress my leads...

TJOAudio
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Post by TJOAudio »

Id like to add something. There is a major part that you are all missing, especially beginner producers or uneducated ones(don't mean to sound harsh or cocky/big headed but if you haven't been around this stuff you might not know) . Certain plugins are modeled after analogue gear such as the SSL desks or whatever, which means the plugin its self actually colors the tone and adds certain harmonics to the output signal. So often I add compressors to leads not for the sake of compression but for the coloration. But I like soft compression on the output bus (I route all the layers of the lead/synth to a single bus) like a 2:1 ratio or so, really subtle (H)

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Black-Out
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Post by Black-Out »

Most of the times I compress/sidechain my reeverb on my synths/sounds :)
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