When EQing a synth sound or any sound for that matter...Should you monitor the whole melody/arrangement that is playing equally while EQing?
For example do you constantly play the entire part of the melody for a lead while you are adjusting the EQ? Because the notes and therefore the frequencies are bouncing around you can't just sit on one part of the riff while cutting/boosting, right? Is it a matter of making certain sacrifices to one part of sound in the melody so the dominant section sounds perfect or is it more important getting the whole thing equal? Basically I am finding EQing difficult when focusing on a wide moving riff. How is the best way to go about getting a balanced/even sound when different notes are playing? At the moment I try to balance it as best as I can but I give priority to the root and most frequent section of the melody and then for example make a sacrifice to a high bar or whatever if cutting/boosting that part is going to have too much negative effect on that root part mentioned.
Is there a guideline you guys follow for EQing a varying sound such as this? Another problem I've encountered when EQing such an arrangement is having to make many adjustments because there are many parts of the melody. Therefore I find myself doing what I think to be far too much cutting or boosting to try and get the section even. I find it a little difficult on knowing when to stop and when the sound is correctly balanced. Is there something maybe I could be doing first, like compression which could help?
Hopefully you guys can understand where I'm coming from, it was a little hard to word this question

