So i'm asuming that most of the time you even haven't seen the producers for which you make vocals? Maybe that's a reason why they don't feature you?

It's just a hypothesis

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Shepherd
That's one reasonShepherd wrote:That sucks... Are there no contracts which state that your name has to be featured? Because i personally didn't knew that you did the vocals for 'promises', i just didn't thought of it that it could be you singing, although that i'm starting to know your voice better and know i think i will hear it if you are in a song, but i can imagine that there are lots of other hardstyle fans who don't know you did all these stuff and you don't get credit from them because of the fact that you aren't featured.
So i'm asuming that most of the time you even haven't seen the producers for which you make vocals? Maybe that's a reason why they don't feature you?![]()
It's just a hypothesis
nikkita
MKN
Everything is in my discogs profile, but some that aren't included: Strength & Fury (vocal + lyric), Angel of the Sun (vocals only), Samara (vocals only)...MKN wrote:aw that's pretty bullshit tbh and really disrespectful
do you mind telling us what tracks you have done vocals for? (because there's probably some i haven't heard because they haven't put your name anywhere, if you get me lol)
nikkita
Shepherd
Honestly? I've made next to nothing in the 4 years I've been doing this -- I've certainly asked for money, but some people just don't pay up... I mean, if there's that producer who I feel has that amazing talent, I jump on the opportunity to just work with them -- whether they are somebody or nobody, I don't care, I'd do it for free anyway. Or, if someone is messing around and sends me something that suddenly inspires me, I just start doing "whatever" and send it to them... I have a lot of this type of work, in fact, it's kind of how my progressive house project took shape. I just really like doing what I do, so I've been chalking up this work as learning experience for my move out to Europe -- I wanted to get more involved and become more of a presence, and booking shows is where the real work is.Shepherd wrote:Is being a vocalist good enough to make a living out of it? And what is a normal price to hire a vocalist?
Although that i don't know the answer, i allready know that i can't afford it probably
nikkita
MKN
Shepherd
Indeed!Shepherd wrote:I was expecting that answer. A lot of artists (actors, producers, singers, ...) don't make a lot of money out of there work, unless they have a lot of luck, but for me that ain't a problem, i like to make music and hope to make a living out of it in the future. But i can definitely feel that you like your job too, although that i don't really know you hehe.
To be honest, the GHF message isn't just limited to hardstyle... but I have my own opinions on this. EVERY artist has this problem. Some top artists aren't also paid on time -- I spoke to one really big name in house who still has 10K owed to him by various organizers/companies/etc. There are some labels that are less shady that others, but at the end of the day most labels have maybe 1 person who work accounts payables/receivables and the paperwork tends to build up... so they organise it on schedules like Quarterly payments. Royalties, for example, they are usually paid out every 3 - 6 months.And thats just wrong, not paying you for your work! Who does that? And i guess that it isn't even legal to do that, or is it? I hope that it aren't producers from the hardstyle scene who don't pay you, because that would screw up my view on some of the artists in this scene and lets hope that i don't have to start to believe the final message from GHF![]()
YesAnd i thought so, 300 euro is way to much for me! Even 50 bucks would be a to much. It's better to save money for equipment i guess..
<-- this was on TV/radio in china& Which movies did you dub by the way?
nikkita
That's really weard. I don't understand how that's possible, and even legal, but maybe it's just me, i don't know...To be honest, the GHF message isn't just limited to hardstyle... but I have my own opinions on this. EVERY artist has this problem. Some top artists aren't also paid on time -- I spoke to one really big name in house who still has 10K owed to him by various organizers/companies/etc. There are some labels that are less shady that others, but at the end of the day most labels have maybe 1 person who work accounts payables/receivables and the paperwork tends to build up... so they organise it on schedules like Quarterly payments. Royalties, for example, they are usually paid out every 3 - 6 months.
Sometimes people just skip out, or can't be bothered to go to the bank, etc, etc... Some just don't care.
And i got a friend who is an MC, but he only does stuff on gigs. His microphone broke down, so now he has to do it at home with a simple webcam microphone and i guess that you know better as anyone here, what the difference is between a good microphone and such a piece of **** like that.Yes Or, try to make your own samples... OR! Find a friend who just wants to give it a try or wants to be an MC, and see if you can work out some kind of a partnership together.
Shepherd